Interview by Lana Williams
Singer-songwriter spill tab uses her west-coast homebase to infuse tracks with sun-soaked synths and lush vocal performances (‘Cotton Candy’). With a sound that succinctly marries hyper-pop with more subtle psych and indie notes, spill tab has crafted an entirely unique sonic concept that has garnered affection from fans globally. Ahead of the release of her debut record, ‘Angie’ we chat with spill tab about inspirations, imposter syndrome and touring with Sabrina Carpenter.
Your debut album ‘Angie’ is now out (congrats!) – what can you tell us about it?
It’s a body of work that I’ve been chipping away at for a long time, it’s not only a collection of songs that I’m really proud of, but a project that feels like the most special and intimate music I’ve released.
What was it like working with John Hill and Solomonophic on the record?
An absolutely unreal experience. They’re both such pillars of creative talent and unique vision, their dedication to the craft is something I really look up to, and I’m so grateful to have spent the time we did making some of these really great songs.
‘Assis’ and the previously released ‘Calvaire’ feature French lyrics – is it important to you that you represent your roots throughout your music?
Yeah, it’s always been really important to me that I am able to represent that side of my identity in my music. I feel like the project is better able to mirror my experiences through life because of it, and it simultaneously brings me closer to that part of my history and family.
A mix of psych-pop, hyperpop and indie; are there any particular artists that have influenced your craft, or aided in honing in on the sound you want to create?
Throughout the years, I’ve been so inspired by many different artists, Bon Iver, Martin Denny, Saya Gray, Alex G to name a few. The album was made across so much time and across many eras of my musical obsessions, so I think in a really beautiful way it speaks to an insane amount of influences over time.
How was your experience touring with Sabrina Carpenter and Wallows – did you learn anything from them?
I have a lot of respect for how much thought, intention, and energy those artists put into their craft. Every detail is given consideration, every show they are giving it they’re all, and that shows such respect for the music and also for the fans.
The singles released so far explore melancholy, the breakdown of relationships and feelings of discombobulation – are these narratives that are continued further throughout the record?
Those are definitely some strong themes across the entire album. A lot of it talks about the grief and the many different colors it can take on when trying to accept that something is not meant for you.
Is there a particular song that you’re particularly excited for fans to hear?
‘by Design’ and ‘wet veneer’ are probably some of my favorites on the album that haven’t come out yet. The lyrical content, instrumentation, and production choices are all elements I’m really excited to share <3
Previously, you’ve spoken about overcoming imposter syndrome as an artist – is it important to you to be open and honest about your journey with fans?
I feel as though I’m on a constant journey of overcoming imposter syndrome, I don’t think it’s something that ever really ends. But I will say the internal conversations I have whilst grappling with that have always been a source of growth and evolution. When I question where those difficult feelings are, I find that many of these emotions stem from something from childhood or something about myself that deserves the attention to be worked on. I try to maintain the perspective that every difficult feeling is a chance to repair something inside myself.
If your music is a colour, what colour would it be?
All the pretty colors on the vinyl/CD.
At Karma! we champion non-binary and female artists and creators; is there anyone on your radar that should be on ours?
Saya Gray, Allie Kelly, The Army The Navy.
What song would you recommend for our Karma! playlist?
‘angel heart’ by The Crying Nudes
Catch spill tab on tour this summer, tickets available here:
26th May – SWG3 Poetry Club, Glasgow
27th May – The Deaf Institute – The Lodge, Manchester
28th May – Oslo, London
30th May – Green Door Store, Brighton
31st May – Rough Trade, Bristol
2nd June – Yuca, Cologne
3rd June – Privatclub, Berlin
4th June – Botanique – The Rotonde, Brussels
6th June – Festival Papillons de Nuit 2025, Saint-laurent-de-cuves, France
7th June – We Love Green 2025 – Paris, France
11th June – Baby’s All Right – Brooklyn, NY
12th June – Drake Underground – Toronto, Canada
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